| # | Name | UI | Stage | Num | Description |
|---|---|---|---|---|---|
| 1 | Master | Yes | Before voice | 1 | Automation, MIDI and BPM smoothing control and microtuning mode. |
| 2 | External Audio | No | Before voice | 1 | In FX mode, provides external audio input to the global audio matrix. |
| 3 | MIDI | No | Before voice | 1 | Provides MIDI pitchbend, channel pressure and 128 CC parameters as modulation sources. |
| 4 | GCV-CV | Yes | Before voice | 1 | CV-To-CV routing matrix with min/max control and various stacking options that affect how source signals are combined in case they affect the same target. |
| 5 | Global | Yes | Before voice | 1 | Global CV module with MIDI-linked modwheel and pitchbend, and some additional freely-assignable parameters. |
| 6 | Global LFO | Yes | Before voice | 10 | Optional tempo-synced LFO with repeating and one-shot types, various periodic waveforms, smooth noise, static noise, smoothing control, phase andjustment, stair-stepping and horizontal and vertical skewing controls with various types. |
| 7 | GCV-A | Yes | Before voice | 1 | CV-To-Audio routing matrix with min/max control and various stacking options that affect how source signals are combined in case they affect the same target. |
| 8 | Arpeggiator | Yes | Before voice | 1 | Arpeggiator with internal rate modulation and a couple of creative controls. |
| 9 | VCV-CV | Yes | Voice | 1 | CV-To-CV routing matrix with min/max control and various stacking options that affect how source signals are combined in case they affect the same target. |
| 10 | Note | No | Voice | 1 | Provides MIDI note and velocity as modulation sources. |
| 11 | On Note | No | Voice | 1 | Provides a couple of random-on-voice values plus on-note versions of all global modulation sources for the per-voice CV mod matrix. |
| 12 | Env | Yes | Voice | 10 | DAHDSR envelope generator with optional tempo-syncing, linear and exponential slopes and smoothing control. |
| 13 | Voice LFO | Yes | Voice | 10 | Optional tempo-synced LFO with repeating and one-shot types, various periodic waveforms, smooth noise, static noise, smoothing control, phase andjustment, stair-stepping and horizontal and vertical skewing controls with various types. |
| 14 | VCV-A | Yes | Voice | 1 | CV-To-Audio routing matrix with min/max control and various stacking options that affect how source signals are combined in case they affect the same target. |
| 15 | Voice | Yes | Voice | 1 | Oscillator common module. Controls portamento, oversampling and base pitch for all oscillators. Also contains global unison support. |
| 16 | VAudio | Yes | Voice | 1 | Audio routing matrix with gain/balance control to route from oscillators to fx modules to voice mixdown. |
| 17 | Osc Mod | Yes | Voice | 1 | Oscillator routing matrices that allow for Osc-to-Osc AM, RM and FM. |
| 18 | Osc | Yes | Voice | 5 | Oscillator module with sine/saw/triangle/square/DSF/Karplus-Strong/noise generators, hardsync and unison support. |
| 19 | Voice FX | Yes | Voice | 10 | Per-voice FX module with state variable filter, comb filter and distortion. |
| 20 | Voice Out | Yes | Voice | 1 | Controls gain and balance of individual voices. |
| 21 | Voice Out | No | After voice | 1 | Provides voice mixdown as an audio source to the global audio matrix. |
| 22 | GAudio | Yes | After voice | 1 | Audio routing matrix with gain/balance control to route from voice mixdown to fx modules to global output. |
| 23 | Global FX | Yes | After voice | 10 | Global FX module with state variable filter, comb filter, distortion, delay and reverb. |
| 24 | Global Out | Yes | After voice | 1 | Controls gain and balance of global audio output. |
| 25 | Monitor | Yes | After voice | 1 | Monitor module with active voice count, CLAP threadpool thread count, global output gain, overall CPU usage and highest-module CPU usage. |
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Tuning | Tuning | Yes | Instance | 1 | Input | Block | None | No Tuning | Cont. After | Note Before | N/A |
| Microtuning mode. | |||||||||||
| Preset | Preset | Yes | Instance | 1 | Input | Block | None | Bass 1 | Open Hat 3 | Bass 1 | N/A |
| Factory preset. | |||||||||||
| MIDI Smooth | Smoothing | Yes | Instance | 1 | Input | Block | None | 1 Ms | 1000 Ms | 50 Ms | N/A |
| Smoothing MIDI controller changes. | |||||||||||
| BPM Smooth | Smoothing | Yes | Instance | 1 | Input | Block | None | 1 Ms | 1000 Ms | 200 Ms | N/A |
| Smoothing host BPM parameter changes. Affects tempo-synced delay lines. | |||||||||||
| Automation Smooth | Smoothing | Yes | Instance | 1 | Input | Block | None | 1 Ms | 50 Ms | 1 Ms | N/A |
| Smoothing automation parameter changes. | |||||||||||
| Realtime Visuals | Visuals | Yes | Instance | 1 | Input | Block | None | None | Params And Graphs | Params And Graphs | N/A |
| Realtime visualization mode | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Op | Main | Yes | Patch | 16 | Input | Block | Automate | Off | AB Stk | Off | N/A |
| Selects operation and stacking mode. Add: add source signal to target parameter. Mul: multiply target parameter by source signal. AB (Add-Bipolar): treat source signal as bipolar, then add to target parameter. Abs (Absolute): modulate as-if the target parameter has the full [0, 1] range available, may cause clipping. Rel (Relative): modulate taking into account only the target parameter value, may cause clipping. Stk (Stacked): modulate taking into account all previous modulation sources affecting the same parameter. |
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| Source | Main | Yes | Patch | 16 | Input | Block | Automate | Global Aux 1 | MIDI CC 127 | Global Aux 1 | N/A |
| All global CV and MIDI sources, plus for per-voice CV all per-voice CV sources, MIDI note and velocity, and On-Note all global CV sources. | |||||||||||
| Target | Main | Yes | Patch | 16 | Input | Block | Automate | GLFO 1 Rate | GCV-A Max 20 | GLFO 1 Rate | N/A |
| Any modulatable parameter of any LFO or the CV-to-audio matrix. You can only route 'upwards', so not LFO2->LFO1. | |||||||||||
| Offset | Main | Yes | Patch | 16 | Input | Accurate | Modulate | -1.00 | +1.00 | +0.00 | N/A |
| Source signal offset. Used to transform source before modulation is applied. Useful to stretch things like midi note/velocity into the full [0, 1] range. | |||||||||||
| Scale | Main | Yes | Patch | 16 | Input | Accurate | Modulate | 1.00 | 32.00 | 1.00 | N/A |
| Source signal multiplier. Used to transform source before modulation is applied. Useful to stretch things like midi note/velocity into the full [0, 1] range. | |||||||||||
| Min | Main | Yes | Patch | 16 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Defines the bounds of the modulation effect. When min > max, modulation will invert. | |||||||||||
| Max | Main | Yes | Patch | 16 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Defines the bounds of the modulation effect. When min > max, modulation will invert. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Aux | Aux | Yes | Patch | 6 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Auxilliary controls to be used through automation and the CV matrices. | |||||||||||
| Mod Wheel | Linked | Yes | Patch | 1 | Input | Accurate | MIDI | 0 % | 100 % | 0 % | N/A |
| Linked to MIDI mod wheel, updates on incoming MIDI events. | |||||||||||
| Pitch Bend | Linked | Yes | Patch | 1 | Input | Accurate | MIDI | -100 % | +100 % | +0 % | N/A |
| Linked to MIDI pitch bend, updates on incoming MIDI events. | |||||||||||
| Pitch Bend Range | Linked | Yes | Patch | 1 | Input | Block | Automate | 1 | 24 | 12 | N/A |
| Pitch bend range. Together with Pitch Bend this affects the base pitch of all oscillators. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Type | Left | Yes | Patch | 1 | Input | Block | None | Off | One Phase | Off | N/A |
| Selects repeating or one-shot type. For regular one-shot type, the LFO stays at it's end value after exactly 1 cycle. For phase one-shot type, the end value takes the phase offset parameter into account. | |||||||||||
| Rate | Left | Yes | Patch | 1 | Input | Accurate | Modulate | 0.01 Hz | 20.00 Hz | 1.00 Hz | 1.00 Hz |
| LFO rate in Hz. | |||||||||||
| Tempo | Left | Yes | Patch | 1 | Input | Block | None | 1/1 | 128/15 | 1/4 | N/A |
| LFO rate in bars. | |||||||||||
| Phase Offset | Shared | Yes | Patch | 1 | Input | Block | Automate | 0 % | 100 % | 0 % | N/A |
| In per-voice module, allows for phase adjustment of periodic generators. | |||||||||||
| Steps | Shared | Yes | Patch | 1 | Input | Block | None | 1 | 99 | 1 | N/A |
| Step count for static and smooth noise generators, set to > 1. Stair-stepping for periodic generators. Set to 1 for continuous or > 1 for stair-stepping. | |||||||||||
| Smooth | Shared | Yes | Patch | 1 | Input | Block | None | 0 Ms | 500 Ms | 0 Ms | N/A |
| Applies a lowpass filter to smooth out rough edges. | |||||||||||
| Tempo Sync | Shared | Yes | Patch | 1 | Input | Block | None | Off | On | Off | N/A |
| Toggles time or tempo-synced type. | |||||||||||
| Snap To Project | Shared | Yes | Patch | 1 | Input | Block | Automate | Off | On | Off | N/A |
| In global module, snaps lfo phase to project/song time. Note this defeats rate modulation! | |||||||||||
| MSEG On | Shared | Yes | Patch | 1 | Input | Block | Automate | Off | On | Off | N/A |
| Toggles MSEG mode on/off. | |||||||||||
| Shape | Non MSEG | Yes | Patch | 1 | Input | Block | None | Saw | FreeStatic 1 | Sin | N/A |
| Selects waveform: various periodic functions plus smooth and static noise. | |||||||||||
| Seed | Non MSEG | Yes | Patch | 1 | Input | Block | None | 1 | 255 | 1 | N/A |
| Seed value for static and smooth noise generators. | |||||||||||
| Source | Non MSEG | Yes | Patch | 1 | Input | Block | None | 1 | 3 | 1 | N/A |
| Per-voice random stream source for static and smooth noise generators. | |||||||||||
| Skew X Mode | Non MSEG | Yes | Patch | 1 | Input | Block | None | Off | Exp Bi | Off | N/A |
| Horizontal skew mode. | |||||||||||
| Skew X Amt | Non MSEG | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Horizontal skew amount. | |||||||||||
| Skew Y Mode | Non MSEG | Yes | Patch | 1 | Input | Block | None | Off | Exp Bi | Off | N/A |
| Vertical skew mode. | |||||||||||
| Skew Y Amt | Non MSEG | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Vertical skew amount. | |||||||||||
| MSEG Start Y | MSEG | No | Patch | 1 | Input | Accurate | Modulate | 0.00 % | 100.00 % | 0.00 % | N/A |
| MSEG generator start level. | |||||||||||
| MSEG Count | MSEG | No | Patch | 1 | Input | Block | None | 1 | 16 | 3 | N/A |
| MSEG generator segment count. | |||||||||||
| MSEG Width | MSEG | No | Patch | 16 | Input | Accurate | Modulate | 1.00 | 100.00 | 10.00 | N/A |
| MSEG generator segment width. | |||||||||||
| MSEG Y | MSEG | No | Patch | 16 | Input | Accurate | Modulate | 0.00 % | 100.00 % | 50.00 % | N/A |
| MSEG generator segment level. | |||||||||||
| MSEG Slope | MSEG | No | Patch | 16 | Input | Accurate | Modulate | 0.00 % | 100.00 % | 50.00 % | N/A |
| MSEG generator segment slope. | |||||||||||
| MSEG Snap X | MSEG | No | Patch | 1 | Input | Block | None | Off | On | Off | N/A |
| MSEG generator horizontal snapping on/off. | |||||||||||
| MSEG Snap Y | MSEG | No | Patch | 1 | Input | Block | None | 0 | 16 | 0 | N/A |
| MSEG generator vertical snapping grid size | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Op | Main | Yes | Patch | 20 | Input | Block | Automate | Off | AB Stk | Off | N/A |
| Selects operation and stacking mode. Add: add source signal to target parameter. Mul: multiply target parameter by source signal. AB (Add-Bipolar): treat source signal as bipolar, then add to target parameter. Abs (Absolute): modulate as-if the target parameter has the full [0, 1] range available, may cause clipping. Rel (Relative): modulate taking into account only the target parameter value, may cause clipping. Stk (Stacked): modulate taking into account all previous modulation sources affecting the same parameter. |
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| Source | Main | Yes | Patch | 20 | Input | Block | Automate | Global Aux 1 | MIDI CC 127 | Global Aux 1 | N/A |
| All global CV and MIDI sources, plus for per-voice CV all per-voice CV sources, MIDI note and velocity, and On-Note all global CV sources. | |||||||||||
| Target | Main | Yes | Patch | 20 | Input | Block | Automate | GFX 1 SVF KeyTrk | GOut Bal | GFX 1 SVF KeyTrk | N/A |
| Any modulatable parameter of any audio module, audio-to-audio matrix or (in case of per-voice) voice-in parameter. | |||||||||||
| Offset | Main | Yes | Patch | 20 | Input | Accurate | Modulate | -1.00 | +1.00 | +0.00 | N/A |
| Source signal offset. Used to transform source before modulation is applied. Useful to stretch things like midi note/velocity into the full [0, 1] range. | |||||||||||
| Scale | Main | Yes | Patch | 20 | Input | Accurate | Modulate | 1.00 | 32.00 | 1.00 | N/A |
| Source signal multiplier. Used to transform source before modulation is applied. Useful to stretch things like midi note/velocity into the full [0, 1] range. | |||||||||||
| Min | Main | Yes | Patch | 20 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Defines the bounds of the modulation effect. When min > max, modulation will invert. | |||||||||||
| Max | Main | Yes | Patch | 20 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Defines the bounds of the modulation effect. When min > max, modulation will invert. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Type | Table | Yes | Patch | 1 | Input | Block | Automate | Off | +/- 3 | Off | N/A |
| Selects arpeggiator octave count. | |||||||||||
| Table Jumping | Table | Yes | Patch | 1 | Input | Block | Automate | Off | On | Off | N/A |
| Arp table jumping (repeat first note every odd position). F.e. cefga with jumping becomes cecfcgca. | |||||||||||
| Mode | Table | Yes | Patch | 1 | Input | Block | Automate | Up | FixFree | Up | N/A |
| Selects arpeggiator mode (e.g. up, down, updown, random etc). | |||||||||||
| Table Flip Count | Table | Yes | Patch | 1 | Input | Block | Automate | 1 | 9 | 1 | N/A |
| Flips the arp table every N notes. F.e. cegcegceg with flip count 2 becomes cecgegecg. | |||||||||||
| Seed | Table | Yes | Patch | 1 | Input | Block | Automate | 1 | 255 | 1 | N/A |
| Seed for random modes. | |||||||||||
| Note Count | Notes | Yes | Patch | 1 | Input | Block | Automate | 1 | 4 | 1 | N/A |
| Select this many notes from the table. F.e. when the table is cefg, with note count 2 and note distance 1 the repeating chords become ce-ef-fg-gc. | |||||||||||
| Note Distance | Notes | Yes | Patch | 1 | Input | Block | Automate | 1 | 8 | 1 | N/A |
| Distance between notes from the table. F.e. when the table is cefg, with note count 2 and note distance 2 the repeating chords become cf-eg-fc-ge. | |||||||||||
| Rate Hz | Sample | Yes | Patch | 1 | Input | Block | Automate | 0.25 Hz | 20.00 Hz | 4.00 Hz | 4.00 Hz |
| Arp rate in Hz. | |||||||||||
| Rate Tempo | Sample | Yes | Patch | 1 | Input | Block | Automate | 1/1 | 128/15 | 1/4 | N/A |
| Arp rate in bars. | |||||||||||
| Mod Rate Hz | Sample | Yes | Patch | 1 | Input | Block | Automate | 0.25 Hz | 20.00 Hz | 4.00 Hz | 4.00 Hz |
| Rate modulation in hz. | |||||||||||
| Mod Rate Tempo | Sample | Yes | Patch | 1 | Input | Block | Automate | 1/1 | 128/15 | 1/4 | N/A |
| Rate modulation in bars. Note: when sync is on, the final arp tempo will be snapped to the base tempo. See mod mode. | |||||||||||
| Snc | Sample | Yes | Patch | 1 | Input | Block | Automate | Off | On | On | N/A |
| Select arp rate and mod rate in time or bars. | |||||||||||
| Mod | Sample | Yes | Patch | 1 | Input | Block | Automate | Saw | Sqr | Saw | N/A |
| Selects the shape of the rate modulator (internal LFO). | |||||||||||
| Mode | Sample | Yes | Patch | 1 | Input | Block | Automate | Off | Exp | Off | N/A |
| Selects the mode of the rate modulator. With sync on, the final rate will be snapped to logical multiples of the bar size (e.g. exponential 1/4 with speedup becomes 1/4, 1/8, 1/16, with slowdown becomes 1/4, 1/2, 1/1 etc. Linear with sync, 1/4 becomes 1/4, 2/4, 3/4 etc). | |||||||||||
| Amt | Sample | Yes | Patch | 1 | Input | Block | Automate | -100 % | +100 % | +0 % | N/A |
| Selects the amount of speed-up/slow down. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Op | Main | Yes | Patch | 20 | Input | Voice | Automate | Off | AB Stk | Off | N/A |
| Selects operation and stacking mode. Add: add source signal to target parameter. Mul: multiply target parameter by source signal. AB (Add-Bipolar): treat source signal as bipolar, then add to target parameter. Abs (Absolute): modulate as-if the target parameter has the full [0, 1] range available, may cause clipping. Rel (Relative): modulate taking into account only the target parameter value, may cause clipping. Stk (Stacked): modulate taking into account all previous modulation sources affecting the same parameter. |
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| Source | Main | Yes | Patch | 20 | Input | Voice | Automate | Global Aux 1 | On Nt Arp RelNote | Global Aux 1 | N/A |
| All global CV and MIDI sources, plus for per-voice CV all per-voice CV sources, MIDI note and velocity, and On-Note all global CV sources. | |||||||||||
| Target | Main | Yes | Patch | 20 | Input | Voice | Automate | Env 1 Sustain | VCV-A Max 30 | Env 1 Sustain | N/A |
| Any modulatable parameter of any LFO or the CV-to-audio matrix. You can only route 'upwards', so not LFO2->LFO1. | |||||||||||
| Offset | Main | Yes | Patch | 20 | Input | Accurate | Modulate | -1.00 | +1.00 | +0.00 | N/A |
| Source signal offset. Used to transform source before modulation is applied. Useful to stretch things like midi note/velocity into the full [0, 1] range. | |||||||||||
| Scale | Main | Yes | Patch | 20 | Input | Accurate | Modulate | 1.00 | 32.00 | 1.00 | N/A |
| Source signal multiplier. Used to transform source before modulation is applied. Useful to stretch things like midi note/velocity into the full [0, 1] range. | |||||||||||
| Min | Main | Yes | Patch | 20 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Defines the bounds of the modulation effect. When min > max, modulation will invert. | |||||||||||
| Max | Main | Yes | Patch | 20 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Defines the bounds of the modulation effect. When min > max, modulation will invert. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| On | On | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggles envelope on/off. | |||||||||||
| Type | Type | Yes | Patch | 1 | Input | Voice | Automate | Sustain | Release | Sustain | N/A |
| Selects envelope type. Sustain - regular sustain type. Follow - exactly follows the envelope ignoring note-off. Release - follows the envelope (does not sustain) but respects note-off. |
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| Mode | Type | Yes | Patch | 1 | Input | Voice | Automate | Linear | MSEG | Linear | N/A |
| Selects envelope mode. Linear - linear slope DAHDSR, most cpu efficient. Exponential unipolar - regular exponential slope DAHDSR. Exponential bipolar - DAHDSR, vertically splits section in 2 exponential parts. Exponential split - DAHDSR, horizontally and vertically splits section in 2 exponential parts to generate smooth curves. MSEG - custom drawn envelope generator. |
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| Tempo Sync | Sync | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggles time or tempo-synced mode. | |||||||||||
| Smt | Sync | Yes | Patch | 1 | Input | Voice | Automate | 0 Ms | 500 Ms | 0 Ms | N/A |
| Lowpass filter to smooth out rough edges. | |||||||||||
| Trigger | Trigger | Yes | Patch | 1 | Input | Voice | Automate | Legato | Multi-trigger | Legato | N/A |
| Selects trigger mode for monophonic mode. Legato - envelope will not reset. Retrig - upon note-on event, envelope will start over from zero, may cause clicks. Multi - upon note-on event, envelope will start over from the current level. To avoid clicks it is best to use release-monophonic mode with multi-triggered envelopes. |
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| Sustain | Trigger | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Sustain level. Modulation takes place only at voice start. | |||||||||||
| MSEG Length | Trigger | Yes | Patch | 1 | Input | Accurate | Modulate | 0.00 Sec | 30.00 Sec | 5.00 Sec | 5.00 Sec |
| Total time of the MSEG generator. | |||||||||||
| MSEG Tempo | Trigger | Yes | Patch | 1 | Input | Voice | Automate | 1/1 | 48/13 | 1/1 | N/A |
| Total bars of the MSEG generator. | |||||||||||
| Dly Time | DAHDR | Yes | Patch | 1 | Input | Accurate | Modulate | 0.000 Sec | 10.000 Sec | 0.000 Sec | 1.000 Sec |
| Delay section length in seconds. Modulation takes place only at voice start. | |||||||||||
| Dly Tempo | DAHDR | Yes | Patch | 1 | Input | Voice | Automate | 0 | 48/13 | 0 | N/A |
| Delay section length in bars. | |||||||||||
| Hld Time | DAHDR | Yes | Patch | 1 | Input | Accurate | Modulate | 0.000 Sec | 10.000 Sec | 0.000 Sec | 1.000 Sec |
| Hold section length in seconds. Modulation takes place only at voice start. | |||||||||||
| Hld Tempo | DAHDR | Yes | Patch | 1 | Input | Voice | Automate | 0 | 48/13 | 0 | N/A |
| Hold section length in bars. | |||||||||||
| Att Time | DAHDR | Yes | Patch | 1 | Input | Accurate | Modulate | 0.000 Sec | 10.000 Sec | 0.030 Sec | 1.000 Sec |
| Attack section length in seconds. Modulation takes place only at voice start. | |||||||||||
| Att Tempo | DAHDR | Yes | Patch | 1 | Input | Voice | Automate | 0 | 48/13 | 1/64 | N/A |
| Attack section length in bars. | |||||||||||
| Att Slope | DAHDR | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Controls attack slope for exponential types. Modulation takes place only at voice start. | |||||||||||
| Dcy Time | DAHDR | Yes | Patch | 1 | Input | Accurate | Modulate | 0.000 Sec | 10.000 Sec | 0.100 Sec | 1.000 Sec |
| Decay section length in seconds. Modulation takes place only at voice start. | |||||||||||
| Dcy Tempo | DAHDR | Yes | Patch | 1 | Input | Voice | Automate | 0 | 48/13 | 1/32 | N/A |
| Decay section length in bars. | |||||||||||
| Dcy Slope | DAHDR | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Controls decay slope for exponential types. Modulation takes place only at voice start. | |||||||||||
| Rls Time | DAHDR | Yes | Patch | 1 | Input | Accurate | Modulate | 0.000 Sec | 10.000 Sec | 0.200 Sec | 1.000 Sec |
| Release section length in seconds. Modulation takes place only at voice start. | |||||||||||
| Rls Tempo | DAHDR | Yes | Patch | 1 | Input | Voice | Automate | 0 | 48/13 | 1/16 | N/A |
| Release section length in bars. | |||||||||||
| Rls Slope | DAHDR | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Controls release slope for exponential types. Modulation takes place only at voice start. | |||||||||||
| MSEG Start Y | MSEG | No | Patch | 1 | Input | Accurate | Modulate | 0.00 % | 100.00 % | 0.00 % | N/A |
| MSEG generator start level. | |||||||||||
| MSEG Count | MSEG | No | Patch | 1 | Input | Voice | None | 1 | 16 | 3 | N/A |
| MSEG generator segment count. | |||||||||||
| MSEG Sustain Point | MSEG | No | Patch | 1 | Input | Voice | None | 0 | 14 | 1 | N/A |
| MSEG generator sustain point. | |||||||||||
| MSEG Width | MSEG | No | Patch | 16 | Input | Accurate | Modulate | 1.00 | 100.00 | 10.00 | N/A |
| MSEG generator segment width. | |||||||||||
| MSEG Y | MSEG | No | Patch | 16 | Input | Accurate | Modulate | 0.00 % | 100.00 % | 50.00 % | N/A |
| MSEG generator segment level. | |||||||||||
| MSEG Slope | MSEG | No | Patch | 16 | Input | Accurate | Modulate | 0.00 % | 100.00 % | 50.00 % | N/A |
| MSEG generator segment slope. | |||||||||||
| MSEG Snap X | MSEG | No | Patch | 1 | Input | Voice | None | Off | On | Off | N/A |
| MSEG generator horizontal snapping on/off. | |||||||||||
| MSEG Snap Y | MSEG | No | Patch | 1 | Input | Voice | None | 0 | 16 | 0 | N/A |
| MSEG generator vertical snapping grid size | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Type | Left | Yes | Patch | 1 | Input | Voice | Automate | Off | One Phase | Off | N/A |
| Selects repeating or one-shot type. For regular one-shot type, the LFO stays at it's end value after exactly 1 cycle. For phase one-shot type, the end value takes the phase offset parameter into account. | |||||||||||
| Rate | Left | Yes | Patch | 1 | Input | Accurate | Modulate | 0.01 Hz | 20.00 Hz | 1.00 Hz | 1.00 Hz |
| LFO rate in Hz. | |||||||||||
| Tempo | Left | Yes | Patch | 1 | Input | Voice | Automate | 1/1 | 128/15 | 1/4 | N/A |
| LFO rate in bars. | |||||||||||
| Phase Offset | Shared | Yes | Patch | 1 | Input | Voice | Automate | 0 % | 100 % | 0 % | N/A |
| In per-voice module, allows for phase adjustment of periodic generators. | |||||||||||
| Steps | Shared | Yes | Patch | 1 | Input | Voice | Automate | 1 | 99 | 1 | N/A |
| Step count for static and smooth noise generators, set to > 1. Stair-stepping for periodic generators. Set to 1 for continuous or > 1 for stair-stepping. | |||||||||||
| Smooth | Shared | Yes | Patch | 1 | Input | Voice | Automate | 0 Ms | 500 Ms | 0 Ms | N/A |
| Applies a lowpass filter to smooth out rough edges. | |||||||||||
| Tempo Sync | Shared | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggles time or tempo-synced type. | |||||||||||
| Snap To Project | Shared | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| In global module, snaps lfo phase to project/song time. Note this defeats rate modulation! | |||||||||||
| MSEG On | Shared | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggles MSEG mode on/off. | |||||||||||
| Shape | Non MSEG | Yes | Patch | 1 | Input | Voice | Automate | Saw | FreeStatic 2 | Sin | N/A |
| Selects waveform: various periodic functions plus smooth and static noise. | |||||||||||
| Seed | Non MSEG | Yes | Patch | 1 | Input | Voice | Automate | 1 | 255 | 1 | N/A |
| Seed value for static and smooth noise generators. | |||||||||||
| Source | Non MSEG | Yes | Patch | 1 | Input | Voice | Automate | 1 | 3 | 1 | N/A |
| Per-voice random stream source for static and smooth noise generators. | |||||||||||
| Skew X Mode | Non MSEG | Yes | Patch | 1 | Input | Voice | Automate | Off | Exp Bi | Off | N/A |
| Horizontal skew mode. | |||||||||||
| Skew X Amt | Non MSEG | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Horizontal skew amount. | |||||||||||
| Skew Y Mode | Non MSEG | Yes | Patch | 1 | Input | Voice | Automate | Off | Exp Bi | Off | N/A |
| Vertical skew mode. | |||||||||||
| Skew Y Amt | Non MSEG | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Vertical skew amount. | |||||||||||
| MSEG Start Y | MSEG | No | Patch | 1 | Input | Accurate | Modulate | 0.00 % | 100.00 % | 0.00 % | N/A |
| MSEG generator start level. | |||||||||||
| MSEG Count | MSEG | No | Patch | 1 | Input | Voice | None | 1 | 16 | 3 | N/A |
| MSEG generator segment count. | |||||||||||
| MSEG Width | MSEG | No | Patch | 16 | Input | Accurate | Modulate | 1.00 | 100.00 | 10.00 | N/A |
| MSEG generator segment width. | |||||||||||
| MSEG Y | MSEG | No | Patch | 16 | Input | Accurate | Modulate | 0.00 % | 100.00 % | 50.00 % | N/A |
| MSEG generator segment level. | |||||||||||
| MSEG Slope | MSEG | No | Patch | 16 | Input | Accurate | Modulate | 0.00 % | 100.00 % | 50.00 % | N/A |
| MSEG generator segment slope. | |||||||||||
| MSEG Snap X | MSEG | No | Patch | 1 | Input | Voice | None | Off | On | Off | N/A |
| MSEG generator horizontal snapping on/off. | |||||||||||
| MSEG Snap Y | MSEG | No | Patch | 1 | Input | Voice | None | 0 | 16 | 0 | N/A |
| MSEG generator vertical snapping grid size | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Op | Main | Yes | Patch | 30 | Input | Voice | Automate | Off | AB Stk | Off | N/A |
| Selects operation and stacking mode. Add: add source signal to target parameter. Mul: multiply target parameter by source signal. AB (Add-Bipolar): treat source signal as bipolar, then add to target parameter. Abs (Absolute): modulate as-if the target parameter has the full [0, 1] range available, may cause clipping. Rel (Relative): modulate taking into account only the target parameter value, may cause clipping. Stk (Stacked): modulate taking into account all previous modulation sources affecting the same parameter. |
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| Source | Main | Yes | Patch | 30 | Input | Voice | Automate | Global Aux 1 | On Nt Arp RelNote | Global Aux 1 | N/A |
| All global CV and MIDI sources, plus for per-voice CV all per-voice CV sources, MIDI note and velocity, and On-Note all global CV sources. | |||||||||||
| Target | Main | Yes | Patch | 30 | Input | Voice | Automate | Voice Cent | VOut Bal | Voice Cent | N/A |
| Any modulatable parameter of any audio module, audio-to-audio matrix or (in case of per-voice) voice-in parameter. | |||||||||||
| Offset | Main | Yes | Patch | 30 | Input | Accurate | Modulate | -1.00 | +1.00 | +0.00 | N/A |
| Source signal offset. Used to transform source before modulation is applied. Useful to stretch things like midi note/velocity into the full [0, 1] range. | |||||||||||
| Scale | Main | Yes | Patch | 30 | Input | Accurate | Modulate | 1.00 | 32.00 | 1.00 | N/A |
| Source signal multiplier. Used to transform source before modulation is applied. Useful to stretch things like midi note/velocity into the full [0, 1] range. | |||||||||||
| Min | Main | Yes | Patch | 30 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Defines the bounds of the modulation effect. When min > max, modulation will invert. | |||||||||||
| Max | Main | Yes | Patch | 30 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Defines the bounds of the modulation effect. When min > max, modulation will invert. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Voice Mode | Mode | Yes | Patch | 1 | Input | Voice | Automate | Polyphonic | Release Mono | Polyphonic | N/A |
| Selects poly/mono mode. Poly - regular polyphonic mode. Mono - true monophonic mode, may cause clicks. Release - monophonic untill a mono section is released. So, multiple mono sections may overlap. To avoid clicks it is best to use release-monophonic mode with multi-triggered envelopes. |
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| Osc Oversampling | Oversampling | Yes | Patch | 1 | Input | Voice | Automate | 1X | 4X | 1X | N/A |
| Oversampling for those rare cases where it makes a positive difference. Only affects FM and hardsync, but not AM. Oversampling is per osc unison voice, so setting both this and osc unison to 4 results in an oscillator being 16 times as expensive to calculate. Then multiply that by global unison. | |||||||||||
| Porta Tempo Sync | Sync | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| Selects time or tempo-synced mode. | |||||||||||
| Porta Mode | Mid | Yes | Patch | 1 | Input | Voice | Automate | Off | Auto | Off | N/A |
| Selects portamento mode. Off - no portamento. On - glides 1 semitone in the specified time, so glide pitch is constant and glide time is variable. Auto - glides pitch difference between old and new note in the specified time, so glide pitch is variable and glide time is constant. |
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| Porta Time | Mid | Yes | Patch | 1 | Input | Voice | Automate | 0.001 Sec | 10.000 Sec | 0.100 Sec | 1.000 Sec |
| Pitch glide time in seconds. | |||||||||||
| Porta Tempo | Mid | Yes | Patch | 1 | Input | Voice | Automate | 1/1 | 48/13 | 1/16 | N/A |
| Pitch glide time in bars. | |||||||||||
| Note | Mid | Yes | Patch | 1 | Input | Voice | Automate | C-1 | G9 | C4 | N/A |
| Oscillator base pitch adjustment for all Oscs, C4 is no adjustment. | |||||||||||
| Cent | Mid | Yes | Patch | 1 | Input | Accurate | Modulate | -100 | +100 | +0 | N/A |
| Oscillator pitch cents adjustment for all Oscs. | |||||||||||
| Global Unison Voices | Unison Voices | Yes | Patch | 1 | Input | Voice | Automate | 1 | 4 | 1 | N/A |
| Global unison voice count. Global unison spawns an entire polyphonic synth voice per unison voice. This includes per-voice oscillators, effects, lfo's and envelopes. | |||||||||||
| Global Unison Osc Detune | Global Unison Params | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 33 % | N/A |
| Global unison voice pitch detune amount. | |||||||||||
| Global Unison Osc Phase Offset | Global Unison Params | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Global unison voice osc phase offset. | |||||||||||
| Global Unison LFO Detune | Global Unison Params | Yes | Patch | 1 | Input | Accurate | Automate | 0 % | 100 % | 0 % | N/A |
| Global unison voice LFO detune amount. | |||||||||||
| Global Unison LFO Phase Offset | Global Unison Params | Yes | Patch | 1 | Input | Voice | Automate | 0 % | 100 % | 0 % | N/A |
| Global unison voice LFO phase offset. | |||||||||||
| Global Unison Env Detune | Global Unison Params | Yes | Patch | 1 | Input | Voice | Automate | 0 % | 100 % | 0 % | N/A |
| Global unison voice envelope detune amount. | |||||||||||
| Global Unison Spread | Global Unison Params | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Global unison stereo spread. | |||||||||||
| Pitch | Mode | No | Patch | 1 | Input | Accurate | Modulate | -128 | +128 | +0 | N/A |
| Absolute pitch modulation target for all Oscs. | |||||||||||
| Pitch Bend | Mode | No | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +0 % | N/A |
| Pitch-bend modulation target for all Oscs. Reacts to global pitchbend range. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| On | Main | Yes | Patch | 20 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggles audio route on/off. | |||||||||||
| Source | Main | Yes | Patch | 20 | Input | Voice | Automate | Osc 1 | VFX 10 | Osc 1 | N/A |
| Selects audio route source. Note that you can only route FX 'upwards', so not FX2 -> FX1. | |||||||||||
| Target | Main | Yes | Patch | 20 | Input | Voice | Automate | VFX 1 | VOut | VOut | N/A |
| Selects audio route target. | |||||||||||
| Gain | Main | Yes | Patch | 20 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Controls route gain. | |||||||||||
| Balance | Main | Yes | Patch | 20 | Input | Accurate | Modulate | -100 % | +100 % | +0 % | N/A |
| Controls route stereo balance. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| AM On | AM | Yes | Patch | 10 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggles AM routing on/off. | |||||||||||
| AM Source | AM | Yes | Patch | 10 | Input | Voice | Automate | Osc 1 | Osc 5 | Osc 1 | N/A |
| Selects AM routing source. Note that you can only route 'upwards', so not Osc2->Osc1. However self-modulation is possible. | |||||||||||
| AM Target | AM | Yes | Patch | 10 | Input | Voice | Automate | Osc 1 | Osc 5 | Osc 2 | N/A |
| Selects AM routing target. | |||||||||||
| AM Mix | AM | Yes | Patch | 10 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Dry/wet control between unmodulated and modulated signal. | |||||||||||
| AM Ring | AM | Yes | Patch | 10 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Dry/wet control between amplitude-modulated and ring-modulated signal. | |||||||||||
| FM On | FM | Yes | Patch | 10 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggles FM routing on/off. | |||||||||||
| FM Source | FM | Yes | Patch | 10 | Input | Voice | Automate | Osc 1 | Osc 5 | Osc 1 | N/A |
| Selects FM routing source. Note that you can only route 'upwards', so not Osc2->Osc1. Self-modulation is not possible (AKA, feedback-FM not implemented). | |||||||||||
| FM Target | FM | Yes | Patch | 10 | Input | Voice | Automate | Osc 1 | Osc 5 | Osc 2 | N/A |
| Selects FM routing target. | |||||||||||
| FM Mode | FM | Yes | Patch | 10 | Input | Voice | Automate | Tru | Bwd | Tru | N/A |
| Selects unipolar/bipolar mode. Bipolar causes the target Osc's phase to travel both forward and backward and is apparently referred to as through-zero FM. | |||||||||||
| FM Idx | FM | Yes | Patch | 10 | Input | Accurate | Modulate | 0.0000 | 1.0000 | 0.0100 | 0.0500 |
| Modulation index. This is really just a multiplier for the source signal. Less index is less phase adjustment on the target signal. I did not implement automatic scaling with pitch, but this is a modulatable parameter which you can couple with the Note Key modulation source. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Type | Type | Yes | Patch | 1 | Input | Voice | Automate | Off | Static | Off | N/A |
| Selects the oscillator algorithm. Only Basic and DSF can be used as an FM target, react to oversampling, and are capable of hard-sync. KPS1 is regular Karplus-Strong, KPS2 is a modified version which auto-adjusts feedback according to pitch. | |||||||||||
| Gain | Type | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Per-osc gain control. The same result may be had through the audio routing matrices, but it's just easier to work with a dedicated parameter. In particular, this control is very handy when applying an envelope to it when the oscillator is routed through a distortion module. | |||||||||||
| Note | Type | Yes | Patch | 1 | Input | Voice | Automate | C-1 | G9 | C4 | N/A |
| Oscillator base pitch. Also reacts to Voice-In base pitch. | |||||||||||
| Cent | Type | Yes | Patch | 1 | Input | Accurate | Modulate | -100 | +100 | +0 | N/A |
| Oscillator cents, also reacts to Voice-In cents. | |||||||||||
| Hard Sync On | Sync On | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| Enables hard-sync against an internal reference oscillator. | |||||||||||
| Hard Sync Semitones | Sync/Unisonc Params | Yes | Patch | 1 | Input | Accurate | Modulate | 0.00 Semi | 48.00 Semi | 0.00 Semi | N/A |
| Pitch offset of the actual oscillator against the reference oscillator. | |||||||||||
| Hard Sync XOver Time | Sync/Unisonc Params | Yes | Patch | 1 | Input | Voice | Automate | 0.00 Ms | 5.00 Ms | 2.50 Ms | N/A |
| Controls cross-over time between the synced and unsyced signal after a phase reset occurs. | |||||||||||
| Unison Voices | Sync/Unisonc Params | Yes | Patch | 1 | Input | Voice | Automate | 1 | 8 | 1 | N/A |
| Unison voice count. Oversampling, hard-sync, AM and FM are applied per-unison-voice. | |||||||||||
| Unison Spread | Sync/Unisonc Params | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Unison stereo spread, works on all oscillator modes. | |||||||||||
| Unison Detune | Sync/Unisonc Params | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 33 % | N/A |
| Detune unison voices. Only applicable to Basic, KPS and DSF generators. | |||||||||||
| Unison Phase | Sync/Unisonc Params | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Phase offset for subsequent voices, to get that unison effect 'right from the start'. Only applicable to Basic and DSF generators. | |||||||||||
| Basic Sin On | Basic | Yes | Patch | 1 | Input | Voice | Automate | Off | On | On | N/A |
| Toggle sine generator on/off. | |||||||||||
| Basic Sin Mix | Basic | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +100 % | N/A |
| Sine generator mix amount. | |||||||||||
| Basic Saw On | Basic | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggle saw generator on/off. | |||||||||||
| Basic Saw Mix | Basic | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +100 % | N/A |
| Saw generator mix amount. | |||||||||||
| Basic Tri On | Basic | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggle triangle generator on/off. | |||||||||||
| Basic Tri Mix | Basic | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +100 % | N/A |
| Triangle generator mix amount. | |||||||||||
| Basic Sqr On | Basic | Yes | Patch | 1 | Input | Voice | Automate | Off | On | Off | N/A |
| Toggle square generator on/off. | |||||||||||
| Basic Sqr Mix | Basic | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +100 % | N/A |
| Square generator mix amount. | |||||||||||
| Basic Sqr PW | Basic PW | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Square generator pulse width. | |||||||||||
| DSF Partials | DSF | Yes | Patch | 1 | Input | Voice | Automate | 1 | 1000 | 2 | 20 |
| Controls the number of partials (overtones). | |||||||||||
| DSF Distance | DSF | Yes | Patch | 1 | Input | Voice | Automate | 0.05 | 20.00 | 1.00 | N/A |
| Controls the frequency distance between the base frequency and subsequent partials. | |||||||||||
| DSF Decay | DSF | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Controls the amplitude decay of successive partials. | |||||||||||
| Rnd Filter Mode | Random | Yes | Patch | 1 | Input | Voice | Automate | LPF | PEQ | LPF | N/A |
| Continuous filter type for static noise or initial-excite filter type for Karplus-Strong. | |||||||||||
| Random Rate | Random | Yes | Patch | 1 | Input | Accurate | Modulate | 1.0 % | 100.0 % | 10.0 % | 10.0 % |
| On-voice-init step count for static noise and initial-excite stage of Karplus-Strong. Modulation takes place only at voice start. | |||||||||||
| Random Filter Freq | Random | Yes | Patch | 1 | Input | Accurate | Modulate | 20 Hz | 20000 Hz | 20000 Hz | 1000 Hz |
| Continuous filter frequency for static noise or initial-excite filter frequency for Karplus-Strong. Modulation takes place only at voice start. | |||||||||||
| Random Filter Reso | Random | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Continuous filter resonance for static noise or initial-excite filter resonance for Karplus-Strong. Modulation takes place only at voice start. | |||||||||||
| Rnd Seed | Random | Yes | Patch | 1 | Input | Voice | Automate | 1 | 255 | 1 | N/A |
| On-voice-init random seed for static noise and initial-excite stage of Karplus-Strong. | |||||||||||
| K+S Feedback | Random | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Use to shorten low-frequency notes. | |||||||||||
| K+S Midpoint | Random | Yes | Patch | 1 | Input | Voice | Automate | 1 | 127 | 60 | N/A |
| In Karplus-Strong2 mode, controls the midpoint MIDI note (C4=60). Lower notes will be stretched less, higher notes will be stretched more. This tries to keep audible note lengths relatively equal. | |||||||||||
| K+S Stretch | Random | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Use to stretch high-frequency notes. | |||||||||||
| Pitch | Type | No | Patch | 1 | Input | Accurate | Modulate | -128 | +128 | +0 | N/A |
| Absolute pitch modulation target, also reacts to Voice-in pitch modulation. | |||||||||||
| Pitch Bend | Type | No | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +0 % | N/A |
| Pitch-bend modulation target. Also reacts to Voice-in PB modulation and global pitchbend range. | |||||||||||
| Phase | Type | No | Patch | 1 | Input | Accurate | Modulate | 0.0 % | 100.0 % | 0.0 % | N/A |
| Phase modulation target. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Type | Main | Yes | Patch | 1 | Input | Voice | Automate | Off | Multi EQ | Off | N/A |
| Selects the effect type. | |||||||||||
| SV Filter Mode | Main | Yes | Patch | 1 | Input | Voice | Automate | Low Pass | High Shelf | Low Pass | N/A |
| Selects the state-variable filter mode. | |||||||||||
| SV Filter KeyTrk | SV Filter Left | Yes | Patch | 1 | Input | Accurate | Modulate | -200 % | +200 % | +100 % | N/A |
| Controls keyboard tracking with -/+2 octaves. | |||||||||||
| SV Filter Shelf Gain | SV Filter Left | Yes | Patch | 1 | Input | Accurate | Modulate | -24.0 dB | +24.0 dB | +0.0 dB | N/A |
| Controls filter gain for shelving filters. | |||||||||||
| SV Filter Freq | SV Filter Left | Yes | Patch | 1 | Input | Accurate | Modulate | 20 Hz | 20000 Hz | 1000 Hz | 1000 Hz |
| Controls filter frequency. | |||||||||||
| SV Filter Reso | SV Filter Left | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Controls filter resonance. | |||||||||||
| Comb Filter Mode | Main | Yes | Patch | 1 | Input | Voice | Automate | Feedforward | Both | Feedforward | N/A |
| Selects the comb filter mode. | |||||||||||
| Comb Filter Delay+ | Comb Filter | Yes | Patch | 1 | Input | Accurate | Modulate | 0.10 Ms | 5.00 Ms | 1.00 Ms | N/A |
| Feed-forward time. | |||||||||||
| Comb Filter Delay- | Comb Filter | Yes | Patch | 1 | Input | Accurate | Modulate | 0.10 Ms | 5.00 Ms | 1.00 Ms | N/A |
| Feed-back time. | |||||||||||
| Comb Filter Gain+ | Comb Filter | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +50 % | N/A |
| Feed-forward amount. | |||||||||||
| Comb Filter Gain- | Comb Filter | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +0 % | N/A |
| Feed-back amount. | |||||||||||
| Dist Mode | Main | Yes | Patch | 1 | Input | Voice | Automate | No Filter | Shape 2 Filter | No Filter | N/A |
| Affects where the filter is placed. No Filter: filter is not used, schema is Input => Gain => Skew In => Shape => Skew Out => Clip => Mix. Filter To Shaper: filter before shape, schema is Input => Gain => Skew In => Filter => Shape => Skew Out => Clip => Mix. Shaper To Filter: filter after shape, schema is Input => Gain => Skew In => Shape => Filter => Skew Out => Clip => Mix. |
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| Dist LPF Freq | Distortion Filter | Yes | Patch | 1 | Input | Accurate | Modulate | 20 Hz | 20000 Hz | 20000 Hz | 1000 Hz |
| Lowpass filter frequency inside the oversampling stage. | |||||||||||
| Dist LPF Reso | Distortion Filter | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Lowpass filter resonance inside the oversampling stage. | |||||||||||
| Dist Skew X Mode | Distortion Mid | Yes | Patch | 1 | Input | Voice | Automate | Off | Exp Bi | Off | N/A |
| Before-shape skew: off (cpu efficient, so use it if you dont need the extra control), linear, scale unipolar/bipolar and exponential unipolar/bipolar. | |||||||||||
| Dist Skew X Amt | Distortion Mid | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Before-shape skew amount. | |||||||||||
| Dist Skew Y Mode | Distortion Mid | Yes | Patch | 1 | Input | Voice | Automate | Off | Exp Bi | Off | N/A |
| After-shape skew: off (cpu efficient, so use it if you dont need the extra control), linear, scale unipolar/bipolar and exponential unipolar/bipolar. | |||||||||||
| Dist Skew Y Amt | Distortion Mid | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| After-shape skew amount. | |||||||||||
| Dist Gain | Distortion Mid | Yes | Patch | 1 | Input | Accurate | Modulate | 0.10 | 32.00 | 1.00 | 1.00 |
| Gain amount to drive the shaper and X/Y parameters. For per-voice, use an Osc with gain envelope to have the effect of the distortion gradually fall-off. | |||||||||||
| Dist Mix | Distortion Mid | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Dry/wet mix between input and output signal. | |||||||||||
| Dist Clip Mode | Distortion Right | Yes | Patch | 1 | Input | Voice | Automate | Hard | Exp | Tanh | N/A |
| Selects hard clipping (clamp to [-1, 1]) or various soft clipping functions. | |||||||||||
| Dist Clip Exp | Distortion Right | Yes | Patch | 1 | Input | Accurate | Modulate | 0.1 | 10.0 | 1.0 | N/A |
| Exponential clipper amount. | |||||||||||
| Dist Shape | Distortion Right | Yes | Patch | 1 | Input | Voice | Automate | Off | Fldbk | Off | N/A |
| Selects waveshaper type: various periodic functions plus foldback distortion. | |||||||||||
| Dist DSF Clamp Mode | Distortion Right | Yes | Patch | 1 | Input | Voice | Automate | Hard | Inv | Tanh | N/A |
| Used to bring the input signal into [-1, 1] to be used as the DSF distortion phase. | |||||||||||
| Dist Oversampling | Distortion Right | Yes | Patch | 1 | Input | Voice | Automate | 1X | 4X | 1X | N/A |
| Oversampling factor. If you go really crazy with distortion, this might tip the scale from just-not-acceptible to just-acceptible. | |||||||||||
| Dist DSF Partials | Distortion Right | Yes | Patch | 1 | Input | Accurate | Modulate | 1.00 | 32.00 | 2.00 | N/A |
| Controls the number of partials (overtones). | |||||||||||
| Dist DSF Distance | Distortion Right | Yes | Patch | 1 | Input | Voice | Automate | 1 | 20 | 1 | N/A |
| Controls the frequency distance between the base frequency and subsequent partials. | |||||||||||
| Dist DSF Decay | Distortion Right | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Controls the amplitude decay of successive partials. | |||||||||||
| Dist DSF Freq | Distortion Right | Yes | Patch | 1 | Input | Voice | Automate | 1 Hz | 10000 Hz | 100 Hz | 1000 Hz |
| Controls the base frequency for the DSF waveshaper. | |||||||||||
| Multi EQ Mode | Main | Yes | Patch | 1 | Input | Voice | Automate | Serial | Parallel | Serial | N/A |
| Selects the multi-equalizer mode. | |||||||||||
| Multi EQ Filter Mode | Multi EQ | Yes | Patch | 5 | Input | Voice | Automate | Off | HS | BL | N/A |
| Multi EQ filter mode. | |||||||||||
| Multi EQ Gain | Multi EQ | Yes | Patch | 5 | Input | Accurate | Modulate | -24.0 dB | +24.0 dB | +12.0 dB | N/A |
| Controls filter gain for shelving filters. | |||||||||||
| Multi EQ Freq | Multi EQ | Yes | Patch | 5 | Input | Accurate | Modulate | 20 Hz | 20000 Hz | 250 Hz | 1000 Hz |
| Controls filter frequency. | |||||||||||
| Multi EQ Reso | Multi EQ | Yes | Patch | 5 | Input | Accurate | Modulate | 0 % | 100 % | 90 % | N/A |
| Controls filter resonance. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Gain | Main | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Output gain. | |||||||||||
| Balance | Main | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +0 % | N/A |
| Output stereo balance. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| On | Main | Yes | Patch | 20 | Input | Block | Automate | Off | On | Off | N/A |
| Toggles audio route on/off. | |||||||||||
| Source | Main | Yes | Patch | 20 | Input | Block | Automate | VOut | GFX 10 | VOut | N/A |
| Selects audio route source. Note that you can only route FX 'upwards', so not FX2 -> FX1. | |||||||||||
| Target | Main | Yes | Patch | 20 | Input | Block | Automate | GFX 1 | GOut | GOut | N/A |
| Selects audio route target. | |||||||||||
| Gain | Main | Yes | Patch | 20 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Controls route gain. | |||||||||||
| Balance | Main | Yes | Patch | 20 | Input | Accurate | Modulate | -100 % | +100 % | +0 % | N/A |
| Controls route stereo balance. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Type | Main | Yes | Patch | 1 | Input | Block | None | Off | Reverb | Off | N/A |
| Selects the effect type. | |||||||||||
| SV Filter Mode | Main | Yes | Patch | 1 | Input | Block | None | Low Pass | High Shelf | Low Pass | N/A |
| Selects the state-variable filter mode. | |||||||||||
| SV Filter KeyTrk | SV Filter Left | Yes | Patch | 1 | Input | Accurate | Modulate | -200 % | +200 % | +0 % | N/A |
| Controls keyboard tracking with -/+2 octaves. | |||||||||||
| SV Filter Shelf Gain | SV Filter Left | Yes | Patch | 1 | Input | Accurate | Modulate | -24.0 dB | +24.0 dB | +0.0 dB | N/A |
| Controls filter gain for shelving filters. | |||||||||||
| SV Filter Freq | SV Filter Left | Yes | Patch | 1 | Input | Accurate | Modulate | 20 Hz | 20000 Hz | 1000 Hz | 1000 Hz |
| Controls filter frequency. | |||||||||||
| SV Filter Reso | SV Filter Left | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Controls filter resonance. | |||||||||||
| Comb Filter Mode | Main | Yes | Patch | 1 | Input | Block | None | Feedforward | Both | Feedforward | N/A |
| Selects the comb filter mode. | |||||||||||
| Comb Filter Delay+ | Comb Filter | Yes | Patch | 1 | Input | Accurate | Modulate | 0.10 Ms | 5.00 Ms | 1.00 Ms | N/A |
| Feed-forward time. | |||||||||||
| Comb Filter Delay- | Comb Filter | Yes | Patch | 1 | Input | Accurate | Modulate | 0.10 Ms | 5.00 Ms | 1.00 Ms | N/A |
| Feed-back time. | |||||||||||
| Comb Filter Gain+ | Comb Filter | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +50 % | N/A |
| Feed-forward amount. | |||||||||||
| Comb Filter Gain- | Comb Filter | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +0 % | N/A |
| Feed-back amount. | |||||||||||
| Dist Mode | Main | Yes | Patch | 1 | Input | Block | None | No Filter | Shape 2 Filter | No Filter | N/A |
| Affects where the filter is placed. No Filter: filter is not used, schema is Input => Gain => Skew In => Shape => Skew Out => Clip => Mix. Filter To Shaper: filter before shape, schema is Input => Gain => Skew In => Filter => Shape => Skew Out => Clip => Mix. Shaper To Filter: filter after shape, schema is Input => Gain => Skew In => Shape => Filter => Skew Out => Clip => Mix. |
|||||||||||
| Dist LPF Freq | Distortion Filter | Yes | Patch | 1 | Input | Accurate | Modulate | 20 Hz | 20000 Hz | 20000 Hz | 1000 Hz |
| Lowpass filter frequency inside the oversampling stage. | |||||||||||
| Dist LPF Reso | Distortion Filter | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 0 % | N/A |
| Lowpass filter resonance inside the oversampling stage. | |||||||||||
| Dist Skew X Mode | Distortion Mid | Yes | Patch | 1 | Input | Block | None | Off | Exp Bi | Off | N/A |
| Before-shape skew: off (cpu efficient, so use it if you dont need the extra control), linear, scale unipolar/bipolar and exponential unipolar/bipolar. | |||||||||||
| Dist Skew X Amt | Distortion Mid | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Before-shape skew amount. | |||||||||||
| Dist Skew Y Mode | Distortion Mid | Yes | Patch | 1 | Input | Block | None | Off | Exp Bi | Off | N/A |
| After-shape skew: off (cpu efficient, so use it if you dont need the extra control), linear, scale unipolar/bipolar and exponential unipolar/bipolar. | |||||||||||
| Dist Skew Y Amt | Distortion Mid | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| After-shape skew amount. | |||||||||||
| Dist Gain | Distortion Mid | Yes | Patch | 1 | Input | Accurate | Modulate | 0.10 | 32.00 | 1.00 | 1.00 |
| Gain amount to drive the shaper and X/Y parameters. For per-voice, use an Osc with gain envelope to have the effect of the distortion gradually fall-off. | |||||||||||
| Dist Mix | Distortion Mid | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Dry/wet mix between input and output signal. | |||||||||||
| Dist Clip Mode | Distortion Right | Yes | Patch | 1 | Input | Block | None | Hard | Exp | Tanh | N/A |
| Selects hard clipping (clamp to [-1, 1]) or various soft clipping functions. | |||||||||||
| Dist Clip Exp | Distortion Right | Yes | Patch | 1 | Input | Accurate | Modulate | 0.1 | 10.0 | 1.0 | N/A |
| Exponential clipper amount. | |||||||||||
| Dist Shape | Distortion Right | Yes | Patch | 1 | Input | Block | None | Off | Fldbk | Off | N/A |
| Selects waveshaper type: various periodic functions plus foldback distortion. | |||||||||||
| Dist DSF Clamp Mode | Distortion Right | Yes | Patch | 1 | Input | Block | None | Hard | Inv | Tanh | N/A |
| Used to bring the input signal into [-1, 1] to be used as the DSF distortion phase. | |||||||||||
| Dist Oversampling | Distortion Right | Yes | Patch | 1 | Input | Block | None | 1X | 4X | 1X | N/A |
| Oversampling factor. If you go really crazy with distortion, this might tip the scale from just-not-acceptible to just-acceptible. | |||||||||||
| Dist DSF Partials | Distortion Right | Yes | Patch | 1 | Input | Accurate | Modulate | 1.00 | 32.00 | 2.00 | N/A |
| Controls the number of partials (overtones). | |||||||||||
| Dist DSF Distance | Distortion Right | Yes | Patch | 1 | Input | Block | None | 1 | 20 | 1 | N/A |
| Controls the frequency distance between the base frequency and subsequent partials. | |||||||||||
| Dist DSF Decay | Distortion Right | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Controls the amplitude decay of successive partials. | |||||||||||
| Dist DSF Freq | Distortion Right | Yes | Patch | 1 | Input | Block | None | 1 Hz | 10000 Hz | 100 Hz | 1000 Hz |
| Controls the base frequency for the DSF waveshaper. | |||||||||||
| Multi EQ Mode | Main | Yes | Patch | 1 | Input | Block | None | Serial | Parallel | Serial | N/A |
| Selects the multi-equalizer mode. | |||||||||||
| Multi EQ Filter Mode | Multi EQ | Yes | Patch | 5 | Input | Block | None | Off | HS | BL | N/A |
| Multi EQ filter mode. | |||||||||||
| Multi EQ Gain | Multi EQ | Yes | Patch | 5 | Input | Accurate | Modulate | -24.0 dB | +24.0 dB | +12.0 dB | N/A |
| Controls filter gain for shelving filters. | |||||||||||
| Multi EQ Freq | Multi EQ | Yes | Patch | 5 | Input | Accurate | Modulate | 20 Hz | 20000 Hz | 250 Hz | 1000 Hz |
| Controls filter frequency. | |||||||||||
| Multi EQ Reso | Multi EQ | Yes | Patch | 5 | Input | Accurate | Modulate | 0 % | 100 % | 90 % | N/A |
| Controls filter resonance. | |||||||||||
| Delay Mode | Main | Yes | Patch | 1 | Input | Block | None | Feedback | Multi Tap | Feedback | N/A |
| Selects feedback or multi-tap delay. | |||||||||||
| Tempo Sync | Delay Sync | Yes | Patch | 1 | Input | Block | None | Off | On | Off | N/A |
| Toggles time or tempo-synced type. | |||||||||||
| Delay Amount | Delay Left | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Feedback-amount or tap-amount control. | |||||||||||
| Delay Mix | Delay Left | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Dry/wet control. | |||||||||||
| Delay Spread | Delay Right | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +0 % | N/A |
| Stereo spread control. | |||||||||||
| Multi Delay Hold Time | Delay Right | Yes | Patch | 1 | Input | Block | None | 0.000 Sec | 10.000 Sec | 0.000 Sec | 1.000 Sec |
| Multi-tap delay hold time in seconds. | |||||||||||
| Multi Delay Hold Tempo | Delay Right | Yes | Patch | 1 | Input | Block | None | 0 | 48/13 | 0 | N/A |
| Multi-tap delay hold time in bars. | |||||||||||
| Fdbk Delay Time L | Delay Right | Yes | Patch | 1 | Input | Block | None | 0.000 Sec | 10.000 Sec | 1.000 Sec | 1.000 Sec |
| Feedback delay left length in seconds. | |||||||||||
| Fdbk Delay Tempo L | Delay Right | Yes | Patch | 1 | Input | Block | None | 1/1 | 48/13 | 3/16 | N/A |
| Feedback delay left length in bars. | |||||||||||
| Fdbk Delay Time R | Delay Right | Yes | Patch | 1 | Input | Block | None | 0.000 Sec | 10.000 Sec | 1.000 Sec | 1.000 Sec |
| Feedback delay right length in seconds. | |||||||||||
| Fdbk Delay Tempo R | Delay Right | Yes | Patch | 1 | Input | Block | None | 1/1 | 48/13 | 5/16 | N/A |
| Feedback delay right length in bars. | |||||||||||
| Multi Delay Tap Count | Delay Right | Yes | Patch | 1 | Input | Block | None | 1 | 8 | 4 | N/A |
| Multi-tap delay tap count. | |||||||||||
| Multi Delay Time | Delay Right | Yes | Patch | 1 | Input | Block | None | 0.000 Sec | 10.000 Sec | 1.000 Sec | 1.000 Sec |
| Multi-tap delay length in seconds. | |||||||||||
| Multi Delay Tempo | Delay Right | Yes | Patch | 1 | Input | Block | None | 1/1 | 48/13 | 3/16 | N/A |
| Multi-tap delay length in bars. | |||||||||||
| Reverb Mix | Main | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Reverb dry/wet control. | |||||||||||
| Reverb Spread | Reverb Left | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 50 % | N/A |
| Reverb stereo-spread control. | |||||||||||
| Reverb APF | Reverb Left | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 100 % | N/A |
| Reverb all-pass filter amount. | |||||||||||
| Reverb Size | Reverb Right | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 80 % | N/A |
| Reverb room size. | |||||||||||
| Reverb Damping | Reverb Right | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 80 % | N/A |
| Reverb damping factor. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Gain | Main | Yes | Patch | 1 | Input | Accurate | Modulate | 0 % | 100 % | 33 % | N/A |
| Output gain. | |||||||||||
| Balance | Main | Yes | Patch | 1 | Input | Accurate | Modulate | -100 % | +100 % | +0 % | N/A |
| Output stereo balance. | |||||||||||
| Name | Section | UI | Storage | Num | Dir | Rate | Automate | Min | Max | Default | Log Midpoint |
|---|---|---|---|---|---|---|---|---|---|---|---|
| MTS-ESP | Main | Yes | Patch | 1 | Output | Block | None | Off | On | Off | N/A |
| MTS-ESP master status. | |||||||||||
| Voices Drained | Main | Yes | Patch | 1 | Output | Block | None | Off | On | Off | N/A |
| Voiced drained indicator. | |||||||||||
| Threads | Main | Yes | Patch | 1 | Output | Block | None | 0 | 64 | 0 | N/A |
| Number of CLAP threadpool threads used to process voices in the last block. For VST3, this will always be 0 or 1. | |||||||||||
| Voices | Main | Yes | Patch | 1 | Output | Block | None | 0 | 64 | 0 | N/A |
| Active voice count. Max 32, after that, recycling will occur. | |||||||||||
| Hi CPU | Main | Yes | Patch | 1 | Output | Block | None | 0 | 99 | 0 | N/A |
| CPU usage of the most expensive module, relative to total CPU usage. | |||||||||||
| Hi Module | Main | Yes | Patch | 1 | Output | Block | None | 0 | 999 | 0 | N/A |
| Module that used the most CPU relative to total usage. | |||||||||||
| Gain | Main | Yes | Patch | 1 | Output | Block | None | 0 | 999 | 0 | N/A |
| Global output gain. Nothing is clipped, so this may well exceed 100%. | |||||||||||
| CPU | Main | Yes | Patch | 1 | Output | Block | None | 0 | 999 | 0 | N/A |
| CPU usage relative to last processing block length. For example, if it took 1 ms to render a 5 ms block, this will be 20%. | |||||||||||